What Happens During a Dog Photography Consultation?

Greg Lanoue • June 21, 2026
Dog running across a field during an outdoor action photography session in Massachusetts

What Happens During a

Dog Photography Consultation?


One of the things that surprises people most when they contact me is learning that I include a consultation before every photography session.


Many people assume the process starts when the camera comes out.  For me, it starts much earlier.


The consultation is one of the most important parts of the entire experience because it allows me to learn about you, learn about your dog, answer your questions, and create a session plan tailored specifically to what you're hoping to create.


By the time session day arrives, we're not figuring things out on the fly.  We already have a plan.


And that's one of the reasons clients often tell me the experience feels so personalized.


Learning About Your Dog


The first thing I want to learn about isn't what products you're interested in or where you'd like to display artwork.


I want to learn about your dog.  Every dog is different.


Some dogs are highly food motivated.


Some would do absolutely anything for a tennis ball.


Some are social butterflies who want to greet every person they meet.


Others are a little more cautious and need time to warm up.


Some dogs are full of energy.


Others would prefer to take a leisurely stroll and enjoy the scenery.


The more I understand your dog's personality, the better I can design a session around them.


We'll talk about things like:

  • Energy level
  • Obedience level
  • Favorite toys
  • Favorite treats
  • Likes and dislikes
  • Any concerns you have
  • Any behaviors we should plan around


This information helps me create an experience that works for your dog rather than expecting your dog to fit into a one-size-fits-all session.


As I discussed in a previous blog, great photographs aren't about perfect obedience.


They're about understanding the dog in front of us.


Planning The Session Experience


Once I have a better understanding of your dog, we can start planning the session itself.


One of the biggest decisions is location.


Depending on your dog's personality and the type of images you'd like to create, we may decide that the studio is the best fit.


For other dogs, one of the many outdoor locations I use throughout Massachusetts may be a better option.


Over the years I've developed a collection of locations that work well for different types of dogs, different personalities, and different styles of photography.


During the consultation we'll discuss what kind of experience you're looking for and what environment will help us create the strongest images.


We'll also talk about the types of photographs you'd like to create.


Some clients love traditional posed portraits.


Others want action images.


Some want photographs that include the entire family.


Others are drawn to silhouettes, environmental portraits, water images, seasonal scenes, or photographs incorporating special props.


There are no right or wrong answers.


The goal is simply to understand what speaks to you so we can build a session around those ideas.


Preparing For Success


The consultation is also where we discuss how to prepare for the session.


We'll talk about things like:

  • Treats
  • Toys
  • Leashes
  • Clothing choices
  • Timing
  • Expectations


Many people arrive at the consultation worried they don't know enough or haven't prepared enough.


The good news is that you don't need to have everything figured out.


That's part of what the consultation is for.


By the end of our conversation, most people feel significantly more relaxed because they have a much clearer understanding of what to expect.


Instead of wondering whether they're doing everything correctly, they have a roadmap.


Planning Artwork Before We Ever Photograph


One thing that often surprises people is that we talk about artwork before we ever create a single image.


That may seem backwards at first.


But in reality, knowing how you hope to enjoy your photographs can help shape the session itself.


We'll discuss things like:

  • Where artwork may be displayed
  • Room layouts
  • Wall space
  • Existing décor
  • Product preferences


For example, different products tend to showcase different types of images particularly well.


If someone loves acrylic artwork, I know those pieces often have a beautiful sense of depth and dimension. During the session I'll pay close attention to creating images with strong foreground and background separation to help maximize that effect.


If someone is drawn to metal prints, I know that vibrant color and strong contrast tend to look incredible on that medium. I'll often look for opportunities to incorporate rich colors and dramatic environments.


Albums require a different approach altogether because they're designed to tell a story. In those cases, I want to make sure we're creating a variety of image types and moments that work well together as a collection.


In other words, I'm not simply creating photographs and hoping they'll fit a product later.


I'm intentionally creating artwork from the very beginning.


Understanding The Investment


Another important part of the consultation is discussing pricing.


I'd much rather have an open and honest conversation upfront than surprise someone later.


Professional photography and custom artwork represent a meaningful investment, and the consultation gives us an opportunity to discuss pricing, product options and what most clients typically choose.


My goal isn't to pressure anyone.


My goal is to make sure you have a clear understanding of the experience and the investment before deciding whether it's the right fit for you.


By the end of the consultation, most people have a good understanding of what to expect and whether Lil Monster Photography aligns with what they're looking for.


Time For Questions


One of the things I enjoy most about consultations is that they're conversations.  They're not presentations.  They're not sales pitches.


They're an opportunity for us to talk.


Clients ask questions about:

  • Their dog
  • The session process
  • Locations
  • Artwork
  • Timing
  • Pricing
  • Products
  • Anything else on their mind


I intentionally leave plenty of time for questions because I want people to feel comfortable and informed.


No one should leave a consultation wondering what happens next.


Why The Consultation Matters


By the time session day arrives, we're not strangers.


I know your dog's personality.


I know what motivates them.


I know what types of images you're excited about creating.


I know what kind of artwork you're considering.


I know what memories you're hoping to preserve.


One of the things clients frequently mention in their reviews is how customized the experience feels.


That's not an accident.


The consultation is where that customization begins.


It's where we build the foundation for everything that follows.


The consultation isn't simply a planning meeting.


It's the first step toward creating photographs and artwork that feel uniquely yours.


Ready To Learn More?


If you're considering a photography session for your dog and would like to discuss ideas, locations, artwork options, or simply learn more about the process, I'd love to chat.


The consultation is relaxed, informative, and gives us an opportunity to determine whether we're a good fit for each other.


You can schedule a consultation at a time that's convenient for you using the link below.


I look forward to meeting you and your dog.


[Schedule Your Consultation Below]


Click to book your free consultation
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For the second challenge as part of the Embark Photography challenge, I needed to produce an image from a very low vantage point and ideally have a very narrow focal plane visible in the image. Photography is often done at eye level, but an easy way to really be impactful with pet photography is to get down to their level or even lower to showcase the whole animal against the backdrop. Once again this was more difficult (and slightly painful) than I orginally thought it would be. Now, I'm no stranger to laying down on the ground in some weird fashion in order to get down during photo sessions, but I, admittedly, have never really paid attention to the how the focal plane can play into the rest of the image other than the dog itself... so it was definitely an educational challenge. Concept 1 & Photo Session 1 - I met a set of new clients and their pup Louie at World's End in Hingham for a wonderful, early morning session. It was a stunning morning, filled with such beautiful light and just an amazing setting to capture a session in. Starting out we had to cross a bridge to get onto the trails and I decided to have Louie pose against the rail and take some images that incorporated some leading lines... completely forgetting (it was early and I hadn't had enough coffee) about the Get Down challenge, but the resulting images were cute and low. I wrestled with using the image a little bit, but ultimately decided that it wasn't low enough and the focal plane wasn't as evident as I wanted it to be. There were a couple of other images from that same session, one in the grass and one in the water that I thought might work as well, but decided against them for different technical reasons. Concept 2 & Photo Session 2 - I met with a friend and his 2 white GSDs at Callahan State Park for a second run at this challenge. I had scouted the location before and found a few pathways and a small bridge that could work for the challenge. The sun was still a bit too high, as photographing in direct sunlight is difficult enough... photographing a WHITE dog in direct sunlight is not adviseable. We waited a short bit till the sun was filtered a bit through the clouds and positioned Maverick on the bridge. After a few shots Maverick decided that he wanted to play in the muddy stream underneath the bridge and then became a white and black dog lol! We tried some running images through the pathways, but the lighting was making it difficult and the dogs were clearly getting tired of having to go along with what we wanted them to do... they just wanted to explore and play, so we let them. I did edit up and thought about using an image of Maverick on the bridge, but I felt that his position (lower than me because the bridge dipped) and that there was some moderate side light on his face that I didn't want to enter that image. Concept 3 & Photo Session 3 - The day before the challenge image was due my wife and I took Crash down to a nearby set of fields that have a stone pebble parking lot. We did a mix of posed shots and action shots at a nice focal length 185mm+ and a nice, low aperture of 2.8 to really dial in that nice focal plane. After spending about a half an hour shooting I ended up selecting the very first image of the day for entry. I really grappled with submitting the posed shot or the action shot (which will be in my FB comments), but decided because the focal plan in the action shot as well as the kicked up stones looked a bit blurry to me, that I would go with the posed image. Plus, I really love the lighting of the posed shot as there is a nice top and backlight that seperates Crash from the background. Being a dark dog he tends to blend in with dark backgrounds, but the backlight helps him pop. Editing: There wasn't a lot to do here, but I did get rid of stray fur and doggy slobber. I brightened Crash's eyes ever so slightly and removed a few bugs from the background. The focal plane on the ground was left alone, as I thought it looked great the way it was. Image review: Charlotte and Craig agreed that the image met the brief and showed that it was shot from a really low angle. There was some slight conversation about Crash and whether he has a 2nd back leg, which he does, but the legs are lined up so well that they kind of blended together. The critique on the image was that the background greens seemed a bit too saturated and cool in tempature and Crash's tongue was a bit too long in the image. (He does have an abnormally long tongue!). The image was shortlisted and made it into the top 22, but was eliminated just prior to making it into the top 20 for this challenge. I've gone ahead and made the recommended changes in the edit, which you can see in the Facebook post comments ( www.facebook.com/lilmonsterphotography ) Onto the next challenge... Composition 101!