The Artwork Question That Nobody Think About Until It's Too Late

Greg Lanoue • June 7, 2026
Framed metal wall art of a German Shepherd running through snow hanging above a home office desk

The Artwork Question Nobody Thinks About Until It's Too Late


When I first started Lil Monster Photography back in 2011, I was what photographers commonly referred to as a "shoot and burn" photographer.


For those unfamiliar with the term, it simply means that after the session I would provide clients with digital files, usually on a CD, DVD, or USB drive, and they could do whatever they wanted with the images.


At the time, there wasn't anything wrong with that approach.


In fact, I'm grateful for those years.


They helped me develop my skills as a photographer, learn how to work with dogs of all personalities, and build a portfolio that eventually grew into the business I have today.


But something interesting started happening years later.


As I reconnected with past clients, I'd often ask a simple question:


"What did you end up doing with your images?"


The answers were surprisingly consistent.


Many would tell me the images were still sitting on the CD I had given them.


Others had transferred them to a USB drive.


Some had them saved somewhere on a computer.


A few weren't even sure where the files were anymore.


Very few had printed them.


Even fewer had them hanging in their homes.


After all the planning, excitement, laughter, and memories created during the session, the photographs often ended up tucked away in a drawer somewhere.

That realization stuck with me.


Because photographs aren't meant to live in drawers.


They're meant to be seen.


The Problem With Digital Memories


We live in a world where we're taking more photographs than ever before.


Every day, countless images are captured on phones, tablets, cameras, and other devices.


The irony is that despite having more photographs than any generation before us, many of those images are rarely viewed.


They're buried in camera rolls.


Stored on hard drives.


Saved to cloud accounts.


Forgotten in folders.


Or sitting on aging media that may no longer even work.


Think about how many people have photos stored on CDs.


How many still own a computer with a CD drive?


USB drives get lost.


Hard drives fail.


Computers crash.


Phones break, get stolen, or accidentally end up in the washing machine.


Cloud backups are wonderful, but they only help if everything was backed up correctly in the first place.


Technology changes.


Storage methods evolve.


Files get misplaced.


What feels permanent today often isn't.


The truth is that digital files are incredibly convenient, but they're surprisingly fragile.


A Shift In Perspective


In 2019, I made a significant change in the way I approached my business.


Instead of focusing primarily on delivering digital images, I shifted toward helping clients create archival artwork for their homes.


The goal wasn't simply to sell products.


The goal was to make sure the photographs we created actually became part of people's lives.


Because something magical happens when an image leaves a hard drive and finds its way onto a wall.


It becomes visible.


It becomes part of your daily routine.


It becomes part of your home.


You don't have to remember to go searching for it.


You don't have to dig through thousands of files.


You simply walk by it.


Every day.


And every time you do, it reminds you of a moment, a feeling, or a chapter of life that mattered.


The Value Changes Over Time


One of the things I've learned over the years is that photographs rarely become less valuable emotionally.


They become more valuable.


The puppy that couldn't sit still becomes a senior dog.


The gray hairs slowly appear around the muzzle.


The walks become slower.


The years pass much faster than we'd like.


What feels ordinary today often becomes precious tomorrow.


I've photographed quite a few dogs over the years who have since crossed the Rainbow Bridge.


Many of those portraits have become some of the most treasured possessions their families own.


Not because they're expensive.


Not because they're large.


Not because they're technically perfect.


Because they're irreplaceable.


They represent a relationship that can never be recreated.


A personality that can never be duplicated.


A chapter of life that deserves to be remembered.


MY Akudra


This lesson became deeply personal for me when we lost my heart dog, Akudra.


Her passing was sudden and unexpected.


Anyone who has experienced the loss of a special dog understands the kind of hole they leave behind.


At first, looking at photographs of her was difficult.


The images brought back the pain of losing her.


The reminders were everywhere.


But over time, something changed.


The sadness slowly began sharing space with gratitude.


Today, I treasure every photograph and video we created together.


In my office, hanging prominently next to my desk, is a 20x30 framed metal print of Akudra running through the snow.


I see it every single day.


And every single day, it makes me smile.


I remember the session.


I remember the weather.


I remember her expression.


I remember her personality.


The joy.


The confidence.


The energy.


Everything that made her who she was shines through that image.


I often tell people it's my favorite photograph I've ever taken. Don't tell my kids.


But it's true.


Not because it's technically perfect.


Not because it won any awards.


Because it means something.


More Than Decoration


When people think about wall art, they often think about decorating a space.


And while beautiful artwork certainly enhances a home, I think there's something deeper happening.


The photographs we choose to display tell the story of what matters to us.


They're daily reminders of the people, experiences, and relationships that have shaped our lives.


For many of us, our dogs are woven into some of our happiest memories.


They're there during celebrations.


During difficult seasons.


During ordinary Tuesday afternoons that don't seem important until years later.


The artwork hanging on our walls becomes a way of honoring those relationships.


Not just for today.


But for years and decades to come.


Looking Ahead


I still provide digital images because they absolutely have value.


They're easy to share.


Easy to store.


Easy to enjoy.


But if there's one thing I've learned during my years as a pet photographer, it's this:


Digital files are convenient.


Artwork is experienced.


One lives on a device.


The other lives with you.


Long after the session is over.


Long after the excitement of viewing your images has passed.


Long after your dog has tracked muddy paw prints across the floor one last time.


The photographs that become part of your home are often the ones that become part of your family's story.


And that's the artwork question most people don't think about until it's too late.


The good news is that you don't have to wait until then.

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For the second challenge as part of the Embark Photography challenge, I needed to produce an image from a very low vantage point and ideally have a very narrow focal plane visible in the image. Photography is often done at eye level, but an easy way to really be impactful with pet photography is to get down to their level or even lower to showcase the whole animal against the backdrop. Once again this was more difficult (and slightly painful) than I orginally thought it would be. Now, I'm no stranger to laying down on the ground in some weird fashion in order to get down during photo sessions, but I, admittedly, have never really paid attention to the how the focal plane can play into the rest of the image other than the dog itself... so it was definitely an educational challenge. Concept 1 & Photo Session 1 - I met a set of new clients and their pup Louie at World's End in Hingham for a wonderful, early morning session. It was a stunning morning, filled with such beautiful light and just an amazing setting to capture a session in. Starting out we had to cross a bridge to get onto the trails and I decided to have Louie pose against the rail and take some images that incorporated some leading lines... completely forgetting (it was early and I hadn't had enough coffee) about the Get Down challenge, but the resulting images were cute and low. I wrestled with using the image a little bit, but ultimately decided that it wasn't low enough and the focal plane wasn't as evident as I wanted it to be. There were a couple of other images from that same session, one in the grass and one in the water that I thought might work as well, but decided against them for different technical reasons. Concept 2 & Photo Session 2 - I met with a friend and his 2 white GSDs at Callahan State Park for a second run at this challenge. I had scouted the location before and found a few pathways and a small bridge that could work for the challenge. The sun was still a bit too high, as photographing in direct sunlight is difficult enough... photographing a WHITE dog in direct sunlight is not adviseable. We waited a short bit till the sun was filtered a bit through the clouds and positioned Maverick on the bridge. After a few shots Maverick decided that he wanted to play in the muddy stream underneath the bridge and then became a white and black dog lol! We tried some running images through the pathways, but the lighting was making it difficult and the dogs were clearly getting tired of having to go along with what we wanted them to do... they just wanted to explore and play, so we let them. I did edit up and thought about using an image of Maverick on the bridge, but I felt that his position (lower than me because the bridge dipped) and that there was some moderate side light on his face that I didn't want to enter that image. Concept 3 & Photo Session 3 - The day before the challenge image was due my wife and I took Crash down to a nearby set of fields that have a stone pebble parking lot. We did a mix of posed shots and action shots at a nice focal length 185mm+ and a nice, low aperture of 2.8 to really dial in that nice focal plane. After spending about a half an hour shooting I ended up selecting the very first image of the day for entry. I really grappled with submitting the posed shot or the action shot (which will be in my FB comments), but decided because the focal plan in the action shot as well as the kicked up stones looked a bit blurry to me, that I would go with the posed image. Plus, I really love the lighting of the posed shot as there is a nice top and backlight that seperates Crash from the background. Being a dark dog he tends to blend in with dark backgrounds, but the backlight helps him pop. Editing: There wasn't a lot to do here, but I did get rid of stray fur and doggy slobber. I brightened Crash's eyes ever so slightly and removed a few bugs from the background. The focal plane on the ground was left alone, as I thought it looked great the way it was. Image review: Charlotte and Craig agreed that the image met the brief and showed that it was shot from a really low angle. There was some slight conversation about Crash and whether he has a 2nd back leg, which he does, but the legs are lined up so well that they kind of blended together. The critique on the image was that the background greens seemed a bit too saturated and cool in tempature and Crash's tongue was a bit too long in the image. (He does have an abnormally long tongue!). The image was shortlisted and made it into the top 22, but was eliminated just prior to making it into the top 20 for this challenge. I've gone ahead and made the recommended changes in the edit, which you can see in the Facebook post comments ( www.facebook.com/lilmonsterphotography ) Onto the next challenge... Composition 101!
Red merle Australian Shepherd with two different colored eyes looking up, sitting on blue surface.
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For 2025, I have chosen to push my creative boundaries by participating in a six-month photography challenge called Embark, hosted by Unleashed Education. This intriguing challenge consists of 12 distinct photography tasks spread over six months, each requiring a dedicated and intentional approach. The essence of this challenge is to submit an image for each pet photography task every two weeks. These submissions are then evaluated and critiqued by two internationally acclaimed, award-winning pet photographers. With around 100 photographers from across the globe participating under the same guidelines, the competition is both thrilling and intense. After each submission deadline, the judges release a video review and select the top 20 images, which are further narrowed down to a top 10. 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Concept 2 & Photo Session 1: We ventured into the backyard, where we set up a 6-foot folding table on the ground with me positioned underneath to shoot directly upwards. My wife coaxed Crash onto the table with treats, capitalizing on his strong food motivation, and I captured his attention downward toward the camera for a unique perspective. The blue sky served as a natural backdrop, and we were fortunate to include a wispy cloud in the frame. Additionally, a bit of a tree top was captured to provide perspective. Despite these elements and a t-shirt that was very wet from Crash drool, I decided against using this image as it did not sufficiently highlight the orange and tan hues of Crash's fur. However, the image is now my desktop because I find it very cute! Concept 3 & Photo Session 2: I reached out to my niece who has an adorable Aussie named Ruckus, who was more than willing to assist with the challenge. We tried to use a big blue wall at one of the litle league fields here in town, but unfortunately the field was completely overrun by exuberant kids enjoying an evening game, so we changed plans and headed downtown to see if we could find anything that would work. We ended up in a nice part of downtown that had some red brick buildings and colorful artwork. Ruckus posed for a few shots, but the coloring didn't appear bold enough to me and the images, while beautiful, weren't what I wanted to use for the challenge. Concept 4 & Photo Session 3: I took to online searches for bold colors around town and did manage to find some really nice areas of blue that could work and one that looked amazing, but we'd need a bit of luck for it to be doable! With only 2 days left in the challenge we headed to the nearby playground with only a glimpse of hope that no kids would be there. 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I watched the entire critique like I was watching a sporting event and rooting for everyone to do well. When it came time for my review I was told that I needed to be careful with my eye touch ups and that I had left a little bit of doggy drool on the bottom of Ruckus' jaw, otehrwise they loved the image and thought the complimentary bule to Ruckus' orange was nicely done. A big sigh of relief!! My image was shortlisted, which meant it was in consideration for Top 20 and top 10. Once all of the images were reviewed the judges narowed down from 27 images to the top 20, which Ruckus was included in. Ultimately my image didn't make the top 10, but I was still very delighted to have placed in the top 20 from the 80 images that were submitted. Next up: Get Down, so stayed tuned! Make sure you check out all of the potential images on my Facebook page!
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